11/12/2022 0 Comments Typerider till fontAnd also in the graphic field, most notably the magazines they produced for FontShop BeNeLux. SignBox – the graphic design studio Peter De Roy runs with his partner Betty Reyniers – works mainly for clients in the cultural field and a lot for environmental government agencies, as well as education. Yet nowadays graphic design often gets so conceptual he sometimes gets an itch to turn back to the arts. Those were the early days of MTV and influential magazines like i-D and The Face that gave him the visual stimuli he was looking for. Since back in those years – at the tail-end of the eighties – there was little visual fun to be found in the art galeries, Peter De Roy started out as a graphic designer. Postponing working life, he took one year of sculpting at the Royal Academy of Fine Arts ( KASK), which resulted in a love-hate relationship with the arts. This proved in hindsight to be of some importance – cutting light into a black printing surface has more affinity with typography than drawing lines on a white sheet. In his own words, never having done a proper lithograph and being too lazy to wipe his etching plates clean, he somehow managed to do a couple of fine woodcuts though. Peter De Roy (typerider)Īfter college Peter De Roy studied graphic arts (the “fine” arts, not graphic design -) at Sint-Lucas, Ghent, Belgium. And last but not least, he is a graphic design teacher who integrates FontStruct in his typography courses. Being allowed to look over the shoulder of a designer sharing his thoughts about his creations is very enlightening. While Peter’s blog started out as a personal diary of thoughts, rhyme and riddle and makings of all sorts, it pretty soon became a record of his adventures in FontStruct. Furthermore he documents his experiences with FontStruct on Spinsels (literally “spinnings”, figuratively “concoctions”), his private blog on letters, words, books and graphic design. Typerider till font free#First and foremost he experiments with the basic concept of FontStruct, going to the very core of FontShop’s free online modular font editor and producing type designs that achieve maximum impact with a minimum of means – see for example this gorgeous deconstructed lowercase “g”. I chose to interview Peter for three reasons. It’s not like we’re intimate friends, but we know each other quite well, and I’ve always kept track of his work especially the type and graphic design magazine 96 (the successor of Druk) and the image publication UnderCover he (together with is partner Betty Reyniers) produced for FontShop BeNeLux after I’d left. Yup, private delivery in the pre-webshop days. This interview is a little special for me, as Peter and I go a long way back – the first time I met him in person was when I delivered FontShop goods at his home in the very early nineties. In this instalment we talk to my compatriot Peter De Roy, better known on FontStruct as Typerider. Well, it is supposed to, because the episode is a couple of days late. Typerider till font series#This is the seventh in our series of mini-interviews with FontStructors the first one since the series went monthly, now that it alternates with Foundry Focuses every other fortnight.
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